FILMSKI LEKSIKON [Bosko Tokin Vladeta Lukic] on *FREE* shipping on qualifying offers. Filmski leksikon: A-Ž by Bruno Kragić · Filmski leksikon: A-Ž. by Bruno Kragić; Nikica Gilić;. eBook: Document. Croatian. Zagreb: Leksikografski zavod. Filmski leksikon. Front Cover. Bojan Kavčič. Modrijan, QR code for Filmski leksikon Performing Arts / Film & Video / History & Criticism. Export Citation.
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He also edits Ubiq, a literary journal for science fiction, and has co-edited a critical anthology of Croatian science fiction stories. She is interested in multilingual writers and works on the 20th century American and Russian literatures, and South Slavic Oral Traditions.
Currently completing his Ph. Film critic and historian, and co-editor of Filmski leksikon Managing editor of the film quarterly Croatian Film Chronicle Hrvatski filmski ljetopis and a board member of the Croatian Association of Film Critics.
He is a member of several committees and film juries for various Croatian film festivals.
She is author of Embroidered with Gold, Strung with Pearls: Before retirement he was a member of the Croatian Parliament. He published also godina filma u HrvatskojDvanaest filmskih portreta and Hrvatska filmska povijest ukratko He is a regular contributor to Croatian radio and television, and has been publishing reviews, essays and other film-related texts on several Internet sites as well as in the Croatian Film Chronicle Hrvatski filmski ljetopis.
Former editor for film, theater, and literature of the Third Program cultural program of Radio Zagreb, from — l assistant professor of literary history at the Department of Comparative Literature of the School for Humanities and Social Sciences in Zagreb, and from — principal editor of the Film Programming Division for Croatian Radiotelevision.
Ramet she co-edited Leosikon Since he has been a selector for the international film festival in Motovun and has served on several film juries, including the Berlin film festival in Professor of Russian language, literature, and culture at Tufts University Boston and specialist in Soviet and post-Soviet, especially Russian and Central Asian, cinema.
Her areas of interest include written and oral traditional literature from the South Slavic region, methodologies of teaching South Slavic languages, and film. He teaches the history of cinema and the history of Croatian cinema at filmsski University of Split. Self-Reflections on Serbian Cinema She is author of Terror and Joy: Holds degrees in comparative literature and English language and literature from the University of Zagreb and an M.
Graduate of School of Political Sciences in Zagreb where he studied political science and journalism and is currently writing his Ph. He has published six fjlmski of novels and short stories which have been translated into German, English, Italian, and Bulgarian.
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Fiilmski research interests focus on culture and politics in totalitarian and post-totalitarian societies around the world. She wrote Imagined Dialogues: He is currently writing a monograph examining the changing portrayals of masculinity in Soviet film during the Khrushchev era and an essay on the cinematic representations of queer characters in post-Yugoslav film.
Graduate of the School of Humanities and Social Sciences, University of Zagreb, and at present graduate student and instructor of film directing at the Academy of Dramatic Art in Zagreb. American Influence on European Popular Culture, to Present Rowman and Littlefield,and fllmski author of over leksion book chapters and articles. Film critic, screenwriter, and film scholar, cilmski has published over journalist pieces on topics ranging from film, literature, language, to politics, and about twenty scholarly articles on Croatian film.
She also holds an M. Film critic and publicist whose numerous articles and essays have appeared in newspapers, specialized arts and culture magazines, radio and TV programs, film publications, and lexicons.
He is a regular film critic and contributor to several Croatian daily newspapers. With her husband, James, she founded an annual international seminar on the themes of war and peace in literature and philosophy that gilmski place in Croatia and Bosnia and Herzegovina.
She is currently writing a book on the impact of the Balkans wars of the s on lejsikon and cinematic developments in the region. His special interests include media representations of gender and sexuality in Soviet filmskii East European history. Her short stories have been included in numerous Croatian and international anthologies.
A member of several film and theater boards, since also artistic director of Days of Croatian film Dani hrvatskog filma. Her interests include Yugoslav and Post-Yugoslav film and literature, translation, and Russian and European novel. He is the screenwriter for the youth program, Kokiceat Croatian Radiotelevision where he also works as a film critic for the program Dobro jutro, Hrvatska as well as on the program Licem u lice for Croatian Radio.
Filmski leksikon – Bojan Kavčič – Google Books
She has worked domestically and internationally as a strategy consultant and researcher. She is currently also working as a junior researcher on the Croatian Glossary of Film Terms. Contributors’ Details Aida Vidan editor: Some of her other projects tilmski Croatian Renaissance drama and the application of databases in researching oral filmsmi. Writer and director based in Brooklyn, NY.
Gender, media and film theorist. Her dissertation explored the link between politics and aesthetics in Ukraine and Russia during the first post-communist decade. He has been involved in Croatian film for some fifty years in various capacities ranging from support actor as a studentto script editor, documentary director, distributor, director of the national Film Festival in Pula, president of the Croatian Association of Film Critics and lecturer of the history of Croatian film for ten years at the Academy of Dramatic Art filmskii Zagreb.