ALESSANDRO SCARLATTI STABAT MATER PDF

Find album reviews, stream songs, credits and award information for Alessandro Scarlatti: Stabat Mater – Emma Kirkby, Daniel Taylor, Theatre of Early Music on. This new release from Hungaroton features two late compositions by Alessandro Scarlatti. The main work is the Stabat mater but it is prefaced by a Sonata in C. This is a recording of a relatively rare version: the Stabat Mater that the Cavalieri della Virgine dei Dolori commissioned in from the most famous opera.

Author: Arashizuru Mazucage
Country: Sudan
Language: English (Spanish)
Genre: Health and Food
Published (Last): 3 December 2004
Pages: 76
PDF File Size: 4.18 Mb
ePub File Size: 10.88 Mb
ISBN: 826-5-53901-114-3
Downloads: 58784
Price: Free* [*Free Regsitration Required]
Uploader: Duzilkree

Catalogue | ATMA Classique

Esswood is on his best form here, conveying the strong sense of pathos implicit in both music and text. After his death I continued collecting the information and managing the site. Introspection Late Night Partying. Scarlatti Stabat mater; Flute Sonata Stabat mater. The freshness of their approach is further enhanced by a pleasant acoustic, effectively captured in both LP and CD formats. The work is divided into four sections and the music is varied in form, going from simple recitatives to more developed operatic arias where the text is repeated three times, ultimately ending with a great fugue on the final “Amen”.

Composition Artist Credits Stabat mater. Jazz Latin New Age.

Scarlatti – The ultimate Stabat Mater site

The Order was very poor, what may be the explanation for the small number of artists the score was written for. It’s a spirited chamber group which gives an attractive account of the music as well as providing sympathetic accompaniment to the soloists. Skip to main content.

In he took part in a ‘musical duel’ with Alessandeo and was voted the better harpsichord player although Handel received the prize for the best organist. The main work is the Stabat mater but it is prefaced by a Sonata in C minor for flute and strings. Stabat Mater ; Religious works ; Masses ; Sequences ; For 2 voices, strings, continuo ; For voices with strings ; Scores featuring the voice ; Scores featuring the soprano voice alessanfro Scores featuring the alto voice ; Scores featuring string ensemble ; Scores with basso continuo ; Latin language.

  CANDIDO DI SCIASCIA PDF

The “Analecta”-version of the text is sung, but surprisingly Scarlatti changes around the stanzas 10 and 11, and also the stanzas 13 and This new release from Hungaroton features two late compositions by Nater Scarlatti.

Alessandro Scarlatti: Stabat Mater

At that time he had around 40 Stabat Mater CDs. When Maria Barbara married the Spanish crown prince inScarlatti followed her to Seville and thence to Madrid, where he spent the rest of his life.

Pietro Alessandro Gaspare Scarlatti. Scarlatti Stabat mater; Flute Sonata. Sexy Trippy All Moods. Alessandro Scarlatti — was born in Palermo, Italy. Kirkby does not have the absolute clarity of voice that she once did, but she has not lost any of her ability to bring quiet tension to a melodic line.

In this performance everything is kept to a very quiet level, which may seem inappropriate to Scarlatti ‘s basically theatrical language.

The intentions of the alessandgo are nowhere more clearly revealed than in the decision to replace the transverse flute with Francis Colpron ‘s recorder — usually it’s done the other way around, but the quiet, conversational tone of the recorder and its ability to slide around the center of a consonance as needed fit what this ensemble is trying to do.

Many years later, probably inthe same Order commissioned Pergolesi for a new Stabat Mater.

As well as these masterpieces, Scarlatti also produced a considerable quantity of operas, secular cantatas and church music. The all-time greats Read about the artists who changed the world of classical music.

Stabat Mater (Scarlatti, Alessandro)

Soprano Emma Kirkbycountertenor Daniel Taylorand the Montreal-based Theatre of Early Music a period-instrument group founded by Taylor tread catlike through the work, which was written some years before Pergolesi ‘s more famous Stabat Mater setting but was commissioned by the same Italian religious order. The Stabat mater text prevented him from adopting the ‘recitative-aria’ patter of the cantata and so he alternated solo and duet numbers almost throughout, introducing two short arioso sections towards the conclusion of the work.

At the time of his death in he had Stabat Maters. Romantic Evening Sex All Themes. Quando corpus morietur – Amen.

  EL BARATILLO DE LA SINCERIDAD PDF

Naxos Javascript not enabled. Gramophone products and those of specially selected partners from the world of music. Stabat Mater – Domenico Scarlatti – It is written for 10 voices and continuo and shuns the use of any concertante instrument as well as any double-choir writing, using solo voices emerging from the polyphonic texture to emphasise expressive passages. One might wish for a new recording of the Stabat Mater by Cecilia Bartolia Scarlatti interpreter who can combine detail and athleticism, but for now this very expressive performance is worth checking out.

Soprano, alto and continuo 2 violins, cello, organ Length: Quis non posset contristari. Manuscripts from the s Manuscripts Scores Scarlatti, Alessandro Baroque style Baroque Stabat Mater Religious works Masses Sequences For 2 voices, strings, continuo For voices with strings Scores featuring the voice Scores featuring the soprano voice Scores featuring the alto voice Scores featuring string ensemble Scores with basso continuo Latin language Pages with commercial recordings Pages with commercial recordings Naxos collection Pages with commercial recordings BnF collection.

Pietro Alessandro Gaspare Scarlatti Composer. About the Stabat Mater Date: I wish to thank the Dutch Stabat Mater Foundation which gave me the financial support in to renew this site! You are more than welcome to use all or part of these notes in your programme. Domenico Scarlatti was born in Naples in the same year as Handel and J. Vidit suum dulcem natum.

The flautist, Pal Nemeth, gives a somewhat routine performance though to be fair, the same criticism might be levelled at Scarlatti; crisper articulation and tidier ensemble would have contributed toward making out a stronger case for the piece but, nevertheless, it mkaes an interesting prelude to the Statbat mater which also begins and concludes in C minor.

O quam tristis et afflicta.